3 Types of loss

Loss is a sprawling hurt. I thought about three types of loss for just this moment – the good kind, the unexpected kind, and the bittersweet kind.

The Good Kind

Today I finally felt anger instead of limp sadness thinking of my ex-first-boyrfriend. I won’t go into details, but I finally said enough: you can leave now. All the emotional twistings of intent and hope into confusion and shittiness. How I felt guilty for not being good enough, too much to handle and plain wrong. NO MORE I AM WORTHY OF LOVE MOST OF ALL FROM MYSELF I WILL NO LONGER CRY ABOUT A PERSON WHO ONLY LIKED ME WHEN I WAS WHAT HE WANTED. This is a good kind of loss, like spring cleaning. I hope my heart stays this buyount floating on its own Island.

The Unexpected Kind

I thought I lost my small dog Pogo today. She ran into some thorny undergrowth and wouldn’t come when I called her name. I screamed and shouted and climbed through mud and cow poos to try to find her. I couldn’t believe it was happening- she could be eaten by a fox, out on the railway or scampering in a new field I couldn’t reach. Luckily I found her, unluckily I had to chase her again at top speed to finally grab her. This loss was brief but powerful, it made me love and loathe her at the same time. Lesson: Keep small naughty dogs on their leashes.

The Bittersweet Kind

Soon I have to go back to university- whilst this prospect of seeing all my friends again and beggining my course is very exciting, I shall miss what I’m leaving here for a while. My blue book case, the thick walls of my bedroom, my family and pets, the walks near my house and a plentifully stocked fridge. These losses are reoccuring, but I know when I leave home shan’t vanish. It will be a speck that is a big size in my brain to be reached by train and rail.

On this note, today’s poem is the one that reminds me of my sister when I first had to leave for uni- my sister said loss is

 

just not having things. Even when we’re apart, I never lose my sister xoxoxoxo

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Leaving and Leaving You

 

When I leave you postcode and your commuting station,
When I left undone all the things we planned to do
You may feel you have been left by association
But there is leaving and leaving you.

When I leave your town and the club that you belong to,
When I leave without much warning or much regret,
Remember, there’s doing wrong and there’s doing wrong to
You, which I’ll never do and I haven’t yet,

And when I have gone, remember that in weighing
Everything up, from love to a cheaper rent,
You were all the reasons I thought of staying,
And none of the reasons why I went

And although I leave your sight and I leave your setting,
And our separation is soon to be a fact,
Though you stand beside what I’m leaving and forgetting,
I’m not leaving you, not if motive makes the act.

Sophie Hannah

Women fly when men aren’t looking

I still feel a bit tired and for no fathomable reason unnervingly wierded out since coming back from my birthday weekend: this makes me feel guilty, seeing as I have nothing to complain about yet still want to stab my self with a million forks (wierd image, I know- but it’s what hit my mind first)

I saw some artworks at the Tate Modern; Carrie Mae Weem’s red sadness and protest of the enslavement of black African people into black slaves of America- ‘I saw and I wept…”; Red photographs cased by poetries etched onto glass frames. After the Tate Modern, I met up with Daisy and we went to Oxford Street to look at pink feathered jackets and blue sequined denim jeans that looked like they belonged to a mermaid with legs. We met up with Flo and walked down to Foyles, scanning shelves of books, but of course focusing on the beloved aisles of poetry- I was so flamboyant. I brought books brand new.

In the evening Zab came- we got ready in make-up and fancy clothes; I feel in all my pettiness, this is where some seed of current confusion of stabbing forks was sown. In the weeks leading up to this celebration, I had been so excited to make myself look and FEEL hot/sexy/ powerful bla bla bla in this little red dress. The reality is I felt bloated and ugly and pure second rate compared to my HEAVEN SENT GORGEOUS friends, and got changed immediatley into a less than glamourous outfitt (think Paris Hilton’s ugly sister who was locked up in the highest hotel room, forced to live only on Twinkies). I am not saying this in order to try and obtain any sympathies, on the contrary I am saying it because it is the truth of incomphrensible emotion. It is white first world problems, and it makes me feel even sillier for knowing what I should finally (at nearly 21) know is bullshit, my brain still pushes onto the child within me and makes the child inside cry and want to hide.

This small, miniscule discomfort of not wearing the dress I’d imagined us partying in should (and truly, thank god, DOES NOT) overshadow all the fun we had travelling round London; talking of poetry in Foyles and the feminist library, being intellectual and going to see the beautiful Queer exhibition at the Tate gallery; laughing in parks so hard I could pee and dancing to trap music on the stairs of St. Pauls, then collapsing into our hotel room with plush double beds and a boquet of flowers (we’d eaten all the cupcakes by this point).

I hate this ungratitude of the disobedient side of my brain focusing more on how my stomach and hips looked in a dress rather than on the smile of our faces in the strobe flash of photos we took. I may not be, nor ever shall attain supermodel status or looks- but that in no way inhibits capacities for love, for loving my friends and the time we had- all the times more awaiting.

I realise now how easy it is to focus on one tiny negative thought instead of cherishing the memories of how lucky I am on this planet- a father who organised it all, the train drivers who got me there, and my friends who took the time out their jobs to come see me.

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SHOUT OUT TO MY FRIENDS FOR PUTTING UP WITH MY EXTRA BULLSHIT AND SELF-LOATHING ALL THE TIME!!!!! XOXOX

Today’s post is already verging on being lenghty, but thats okay because it’s for a special lesson and occassion. Without further adiue, here is today’s post- it is from a book I bought in Foyles by Jeanette Winterson, one of my favourite authors. The small book is simply called ‘Love’ (the quote I use is orginally from “Why be Happy when you could be Normal?“). xooxooxoxoxx

“Love is vivid. I never wanted the pale version. Love is full strength. I never wanted the diluted version. I never shied away from love’s  hugeness but I had no idea that love could be as reliable as the sun. The daily rising of love.” 

 

To walk no longer invisible

Today I fulfilled a long hoped for pilgrimage with my family and drove up north through winding streets of small pubs and purple heather, finally reaching the Brontë parsonage at Haworth. I was supporting my fellow female writers, who wrote and wrote with hopes and hopes, not of celebrity as we consider it- but merely a future, a life where they could provide for their loved ones with a pen and sentences breathing.

The amazement of how small Charlotte’s feet were, the inked notebooks of poetry by Emily or Branwell’s smoked out figure amongst his sisters’ portrait, which he painted himself; Anne’s Scarborough pebble collection. These humdrum relics of their lives were so interesting and humbling to see, what with what knowledge we have realised now, that Branwell is more than a drunk and his sisters more than mere governesses; secret writers. They are no longer invisible, they are legendary.

I kept thinking of the contextual cruelty in which those animated and powerful women lived- a world of strict boundaries of who could and could not have money, when women were angels or whores- neither of whom deemed wise enough to yield a pen so mightily as a man. I am born in a world where, yes- many structures are still so fucked up and writhing with hatred and willed ignorance that it’s hard to fathom any progress sometimes; yet, here have I set gauntlet. Writing alone. My own pen. My own name.

I do not want to let go for granted what these intelligent, wholehearted women strove so hard to obtain. I am a savage, as Emily wrote- I am still half wild and free to play on the moors of my mind as I will. Thank God for books.

Today’s poem is by Emily, ‘No Coward Soul is Mine’ (A personal favourite along with ‘Remembrance‘). I presume the power she refers to here is the Christian “God”, but I like to interpret it as our own god; happiness seeded inside ourselves which twines and kindles with others who will it so, our determination to “choose not to suffer uselessly” (as Adrienne Rich wrote it). No coward souls were theirs, and neither is mine.

No Coward Soul is Mine

No coward soul is mine
No trembler in the world’s storm-troubled sphere
I see Heaven’s glories shine
And Faith shines equal arming me from Fear
O God within my breast
Almighty ever-present Deity
Life, that in me hast rest,
As I Undying Life, have power in Thee
Vain are the thousand creeds
That move men’s hearts, unutterably vain,
Worthless as withered weeds
Or idlest froth amid the boundless main
To waken doubt in one
Holding so fast by thy infinity,
So surely anchored on
The steadfast rock of Immortality.
With wide-embracing love
Thy spirit animates eternal years
Pervades and broods above,
Changes, sustains, dissolves, creates and rears
Though earth and moon were gone
And suns and universes ceased to be
And Thou wert left alone
Every Existence would exist in thee
There is not room for Death
Nor atom that his might could render void
Since thou art Being and Breath
And what thou art may never be destroyed.

‘The stars do not care’

My absence from running this blog; trying to keep good habits (for writing or otherwise), ticking alongside attempts to live life in as happy and meaningful way possible have been rocky of late, all I can do is say ‘sorry’ and keep on going. True- I have been busy, but almost a 20 day long silence is not really justifiable as an excuse; when you love something, you defy excuses.

But I shall fill in the gaps.
My pink rose is no longer dead. I read Slaughterhouse- 5 in one night. My family threw me a birthday meal at our favourite Chinese restaurant, then the next day I went to the Transatlantic slavery memorial performances in Trafalgar Square with my cousin, Oscar; we went to the National Gallery and saw Van Gogh’s sunflowers, we sang Whitney Houston with a homeless artist from Sri Lanka who told us to look for Mother Mary. I drank Westons in a field with my best friend, then went to a poetry reading with another of my best friends and blew bubbles over our pints. I walked with Nelson and Pogo.

These details have no bearing whatsoever on anyone else’s life, so I question the feeling of needing to write them down, or anything, for that matter which isn’t purposeful and powerful and intelligent. I guess it boils down to a second voice; words create a world parallel yet intricately webbed in the physical senses, which in themselves warble and wane depending on one’s temperament- language causes a trembling which is and is not real, which uncoils translated through eyelashes as chrysalis births wings which flutter, to die within days.

This post basically just confirms I am not giving up on this quiet endeavour, hopefully it shall amount to something- but I guess one consolation is that at least it keeps one person out of too much trouble.

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These flowers have nothing to do with my writing, but fuck it life is random so here’s a little beauty to brighten things up :)))))

Today’s poem is by the legendary Audre Lorde, a beautiful soul who wouldn’t want me to stop doing this just because it seems the rest of the world seems more engrossed with big plastic tits and guns and sports cars.

Stations 

Some women love
to wait
for life    for a ring
in the June light    for a touch
of the sun to heal them    for another
woman’s voice    to make them whole
to untie their hands
put words in their mouths
form to their passages    sound
to their screams    for some other sleeper
to remember    their future    their past.

Some women wait for their right
train    in the wrong station
in the alleys of morning
for the noon to holler
the night come down.

Some women wait for love
to rise up
the child of their promise
to gather from earth
what they do not plant
to claim pain for labor
to become
the tip of an arrow    to aim
at the heart of now
but it never stays.

Some women wait for visions
That do not return
Where they were not welcome
Naked
For invitations to places
They always wanted
To visit
To be repeated.

Some women wait for themselves
Around the next corner
And call the empty spot peace
But the opposite of living
Is only not living
And the stars do not care.

Some women wait for something
To change    and nothing
Does change
So they change
Themselves.

 

A day, a holy nothingness

Today has been of no significance. No one else will remember it the same as me, perhaps no one will even read this blog apart from me- but writing should not be committed to merely seeking the result of an audience. It is a patchwork of the brain and heart- it is life’s shadow; I aim to live manifold breaths in the explosion of growing sentences, the tracks of letters scribbled on paper and screen.

Today I sang; “Why do you have to go and make things so complicated?.. give me love like never before… because I’m empty inside, I don’t wanna live but I’m too scared to die… all my hot girls with me, we dance around and bounce them titties!!!” I ate tuna salad and drank Ovaltine.

Once work was done earning money (I shall be discreet, and mention only that I work from home) I read more Virginia, ‘Flush’ in particular- the life of Elizabeth Barrett Browning’s red pedigree cocker spaniel. I was with him learning how to navigate intimacy when you’re the one left stuttering as third wheel when your beloved drinks romance instead of air. He gave up the fields and sunlight for her, but Barrett still fell for Browning’s lemon yellow hand gloves. This dog’s lesson of life resonated still, still with me, a dumb human. “Hatred is not hatred; hatred is also love.” Anger means you care, and the fact I un-followed my ex’s instagram account (FINALLY) must mean that some archaic form of love is waning. I danced in the fields wearing pyjamas walking with Nelson and Pogo, rapping terribly and not caring. Love does not die, for it is an energy formed of stardust and energy does not cease. It just returns; creates a sort of equilibrium. He took it all and now it seems to be coming home, like how birds migrate across oceans. I no longer have to take anti-depressants. I hope hope can tattoo itself on my child core.

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Today’s poem is not my own, but one by 19th C. Turkish poet Leyla Hanim ( I found this poem in an old anthology of women poets I brought with my grandma for £2) – she ended her marriage before a week’s end and outraged the moralists of her day; my kind of woman xoxoxoxo

Let’s get going,
Start the festivities, 
Never mind what they say.

Drink wine 
With your loved one, 
Never mind what they say.

What do I care
If people approve or disapprove?
God bless my friends, 
Never mind what they say.

Leyla, indulge in pleasure
With your lovely friend:
Enjoy yourself in this world,
Never mind what they say. 

‘A Life!’ ‘A Lover!’ not ‘A Life!’ ‘A Husband!’

I haven’t written for a while here, mainly because I’ve been busy with grandma again; differentiating Acers from Oaks, peering closely at Hydrangeas the colour of your tonsils and patting St. Bernards called Marley on Headley Heath. Of all grandma has treated me to recently, the apex of our country forays has culminated in my dream for a while now- visiting the homes of my homegirl inspirations. Charleston and Monk’s House, the homes of Vanessa and Virginia Stephen.

Walking the rooms Vanessa painted by hand, seeing the round wood dining table, like that of King Arthur and imagining what wine they had; the fuchsias scrambling up Charleston’s stone face for sunlight above glitterings on the green lily pond and all the sunlight drenching time’s past canvases in her studio made my heart beat in a welcomed irregular rhythm. It felt familiar yet screened, like spying through a kaleidoscope of history warped and retold through the footsteps and talk of others. I think my favourite part of Charleston were the pink guest rooms Vanessa and her daughter Angelica painted. Pale candyfloss walls and miniature seats, paintings of wild women on the wardrobe formed of harsh, sporadic black outlines for contour, with a pale peach wash for flesh. I could imagine my sister, Daisy and me sleeping there- peering at ourselves in the large looking glass wearing summer dresses and flowers in our hair. So romanticised and impossible I KNOW, but still tangible there- in her house of art, ideas and beautiful defiance.

Monk’s House was particularly resonant with me, I saw hopes in reality.  A humble cottage with a garden, a bedroom opening out into dawn- a writing lodge of wood planks where ideas flourished from Virginia’s mind, butterflies born of ink; their wings assonance and metaphor, a lilting flight. Her home was not so washed in pattern and paint as her older sister’s, but still there was intent- her mind was the cement which composed brick into animation. The living room was mint green, flowers in jam jars occupied alcoves and a special design Vanessa dreamt up for her sister adorned the chairs there. My favourite part was her bedroom though, modest but perfectly formed- like a snail shell home. Books whispered plot, unwinding breath on their shelves; a tiled sink sealed the deal of magnificence for me. The walls were pale blue, I know she loved Leonard, but her pain meant she needed space; I understand that pale blue. The only difference I’d make though, would be to swap the single bed for a double. I’m no good by myself- I’d want to feel the security that if there was anyone else who wanted to be with me that there’d be enough duvet to share. We could wake up to watch dawn over apple trees together, read my poetry books and drink tea on the same pillows then go sit in the garden. Either lover or friends, it is besides the point- this is not my story or house, both are Virginia’s.

I have no poem to post today, but I didn’t want that to stop me from trying to write. Instead I’ll share a quote from Virginia that I love, from her longest love letter ‘Orlando’ dedicated to her lover and close friend, Vita. I know to understand her life fully, to encapsulate it is impossible- but what I write is done with love. Love and hope and admiration, and I can only will that that is enough. oxoxoxoxox

” Was it then to be admitted that Orlando was one of those monsters of iniquity who does not love? She was kind to dogs, faithful to friends, generosity itself to a dozen starving poets, had a passion for poetry. But love- as the male novelists define it- and who, after all, speak with greater authority?- has nothing whatever to do with kindness, fidelity, generosity or poetry. Love is slipping off one’s petticoat and- but we all know what love it…” 

higgedly piggedly but alive

“I understood how stingy and cheap and arrogant and ungracious I had been. Because it easy to love and sing one’s love. That is something I am extremely good at doing. Indeed, that is my art. But to be loved, that is true greatness. Being loved, letting oneself be loved, entering the magic and dreadful circle of generosity, receiving gifts, finding the right thank-yous, that is love’s real work.”- Helene Cixous, The Book of Promethea

I apologise for my lack of writing on here recently; it isn’t a lack of passion or lostness that’s the cause of no keyboard clicks, just higgedly pigggedly feelings that make me choose wine in the late afternoon over routine. I don’t drink because I hate my life- I drink to unlock an oozy lump at the core, like a communion with this unknown animal with claws and feathers which governs the human.

I was walking my dogs today and concluded it is no whimsy or flaw that ‘God’ shown in a mirror is ‘Dog’. In fact, I would be so heretical as to add that sometimes Dogs are much much better than bookish Gods- Dogs lick you and jump at your knees when you tell them your’e sad; God sometimes just sits there, and the point they’re trying to make is that only through suffering can you learn. But dogs just don’t see suffering like that. They see it and act because it is kind to help when you can.

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I looked at the sky and it was a comfort. I wish I could describe it as I know Virginia Woolf could, but I’ll just use my own words now. I used to think that Jacob Ladders smouldering water in air as cotton-gold warmths was heaven claiming us; that the light was the congregation of wing and the push-up from soil thrown on coffins reverberating upwards.

I think I’m wrong. That light was power because it is giving, bathing us constantly but we only care when it’s beautiful and we see it. I don’t believe in the finality of give and take anymore- we give and get then give away what we got again. Nothing stays but nothing ends either.

 

 

This entry is a bit directionless (not pointless, mind). But we must go with the flow. I managed to work the till by myself at the charity shop. I no longer wring my hands in worry or pluck my hair from the scalp when boys I talk to don’t reply; no longer do I contemplate all the reasons I am wrong and not worth a 30 second reply. I sit. I read my books and dream of “A Life! A Lover!” not A Life! A Husband!”  (ily so much Virginia)

Today’s poem isn’t my own, but by Caroline Bird. It made me smile today and that sometimes is enough (thank goodness)

Megan Married Herself

She arrived at the country mansion in a silver limousine.
She’d sent out invitations and everything:
her name written twice with “&” in the middle,
the calligraphy of coupling.
She strode down the aisle to “At Last” by Etta James,
faced the celebrant like a keen soldier reporting for duty,
her voice shaky yet sure. I do. I do.
“You may now kiss the mirror.” Applause. Confetti.
Every single one of the hundred and forty guests
deemed the service “unimprovable.”
Especially the vows. So “from the heart.”
Her wedding gown was ivory; pointedly off-white,
“After all, we’ve shared a bed for thirty-two years,”
she quipped in her first speech,
“I’m hardly virginal if you know what I mean.”
(No one knew exactly what she meant.)
Not a soul questioned their devotion.
You only had to look at them. Hand cupped in hand.
Smiling out of the same eyes. You could sense
their secret language, bone-deep, blended blood.
Toasts were frequent, tearful. One guest
eyed his wife — hovering harmlessly at the bar — and
imagined what his life might’ve been if
he’d responded, years ago, to that offer in his head:
“I’m the only one who will ever truly understand you.
Marry me, Derek. I love you. Marry me.”
At the time, he hadn’t taken his proposal seriously.
He recharged his champagne flute, watched
the newlywed cut her five-tiered cake, both hands
on the knife. “Is it too late for us to try?” Derek whispered
to no one, as the bride glided herself onto the dance floor,
taking turns first to lead then follow.
-By Caroline Bird