Tonight is my last night at home since the summer holidays began before going back to uni in Canterbury for my final year. It is mixed emotions, a subtle blend and balance of excitement filtered through with slight wishes for home routines to stay.

It is always hard making a change, be them little or large- but no change will ever seem so frightening as how my mind was fretting the night before the first ever day of university. The transition down to Kent wasn’t helped by a 2 hour traffic jam; made slightly more entertaining by a troupe of drunken football fans wandering between the cars, slurring around half formed conversation starters. I guess nothing is ever perfect, you’ve just got to just roll with it- accept the swaps: no longer shall your dreams of arriving early and without blustering be true; but still, at least try to laugh on the M11. 

Right now, the thought of not cuddling Pogo and Nelson each day, of not goofing around with my sister or reading books snuggled in my room late at night, are sobering losses to contend. But, with every down there is an up: I shall see my friends again tommorow, and Canterbury- a city I have come to really love living in. The term will begin and that means time to write poems and read more books- life never stops giving, it just doesn’t keep giving the same things.

Here is baby Pogo (AKA Satan) asleep on my butt after cuddles ❤️

But that makes me think more- does life GIVE, or do we make actions to GET; for better or worse? I guess the only way to find out is to make changes.

Today’s poem isn’t really a poem, but a song. For my 21st birthday, Dad brought me a collection of CD’s by one of the world’s most tender and beautiful folk singers- Sandy Denny. “Who Knows Where the Time Goes” is a bittersweet ballad of love and loss and how it feels like an evening sky, full of colours like stained glass windows or jewels. I am sorry to leave home, but it is a comfort to know who and where I’m leaving won’t forget me, no matter how many changes I make. 

Who Knows Where the Time Goes 

Across the evening sky, all the birds are leaving.

But how can they know it’s time for them to go?

Before the winter fire, I will still be dreaming. I have no thought of time

For who knows where the time goes? Who knows where the time goes?

Sad, deserted shore, your fickle friends are leaving

Ah, but then you know it’s time for them to go

But I will still be here, I have no thought of leaving. I do not count the time

For who knows where the time goes?Who knows where the time goes?

And I am not alone while my love is near me. I know it will be so until it’s time to go

So come the storms of winter and then the birds in spring again 

I have no fear of time



3 Types of loss

Loss is a sprawling hurt. I thought about three types of loss for just this moment – the good kind, the unexpected kind, and the bittersweet kind.

The Good Kind

Today I finally felt anger instead of limp sadness thinking of my ex-first-boyrfriend. I won’t go into details, but I finally said enough: you can leave now. All the emotional twistings of intent and hope into confusion and shittiness. How I felt guilty for not being good enough, too much to handle and plain wrong. NO MORE I AM WORTHY OF LOVE MOST OF ALL FROM MYSELF I WILL NO LONGER CRY ABOUT A PERSON WHO ONLY LIKED ME WHEN I WAS WHAT HE WANTED. This is a good kind of loss, like spring cleaning. I hope my heart stays this buyount floating on its own Island.

The Unexpected Kind

I thought I lost my small dog Pogo today. She ran into some thorny undergrowth and wouldn’t come when I called her name. I screamed and shouted and climbed through mud and cow poos to try to find her. I couldn’t believe it was happening- she could be eaten by a fox, out on the railway or scampering in a new field I couldn’t reach. Luckily I found her, unluckily I had to chase her again at top speed to finally grab her. This loss was brief but powerful, it made me love and loathe her at the same time. Lesson: Keep small naughty dogs on their leashes.

The Bittersweet Kind

Soon I have to go back to university- whilst this prospect of seeing all my friends again and beggining my course is very exciting, I shall miss what I’m leaving here for a while. My blue book case, the thick walls of my bedroom, my family and pets, the walks near my house and a plentifully stocked fridge. These losses are reoccuring, but I know when I leave home shan’t vanish. It will be a speck that is a big size in my brain to be reached by train and rail.

On this note, today’s poem is the one that reminds me of my sister when I first had to leave for uni- my sister said loss is

 

just not having things. Even when we’re apart, I never lose my sister xoxoxoxo

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Leaving and Leaving You

 

When I leave you postcode and your commuting station,
When I left undone all the things we planned to do
You may feel you have been left by association
But there is leaving and leaving you.

When I leave your town and the club that you belong to,
When I leave without much warning or much regret,
Remember, there’s doing wrong and there’s doing wrong to
You, which I’ll never do and I haven’t yet,

And when I have gone, remember that in weighing
Everything up, from love to a cheaper rent,
You were all the reasons I thought of staying,
And none of the reasons why I went

And although I leave your sight and I leave your setting,
And our separation is soon to be a fact,
Though you stand beside what I’m leaving and forgetting,
I’m not leaving you, not if motive makes the act.

Sophie Hannah

Volaility of feathers

I am a volatility of feathers- one day sweet as apricots freshly brimming up with ruddiness on the twig and branch; Smiling is for granted, even with no make up and a lil bloat on; without having spoken properly to another person, be they friend, family or bachelor- on these day’s life is magnificent and mine. The sadness of this volatility is it’s inert nature: things cannot remain so.

Other times, simple acts of willed neglicence or bluff, intended cruelties- which most people flounce off with an expletive and distraction- cause me to imagine approximatley 100 reasons of said blow’s cause; the nature of the cause; how this cause is intertwined with and affects other causes etc etc. AKA- I cry and get mad at myself for uncomprehended reasons.

I feel like this blog has no poetry to it; I want to write about important, universal issues and not just focus on bitty, repetitive autobiography the whole fucking time. But it is late, I am hungry and simply want to savour this day where I have willed survival and not Sorrow’s feathers.

I watched the T.E.D Talk, “The gentle power of highly sensitive people” by Elena Herdieckerhoff and it made me feel so elated to know my propensity to cheshire cat smile at the sight of my dogs excited for walks, in tandem with unfathomable hours of thinking and crying and blaming ghots some more, is not a weakness. I felt like Billy Pilgrim’s long lost sister- “And so it is.” The fragility of things and my incessant hankerings for answers that justify tenderness are no joke. Hale-fucking-luja!!!!

Rambling and waffling are beyond the realms of energy right now, so I am just going to end on a little quote (So much for exclusive poetry- haha) by another highly woke and wonderful woman, Minna Salami-

“Only a person who sees and values the humanity in everyone can be a revolutionary, because only a person who sees and values the humanity in everyone can do so about themselves.”

‘The stars do not care’

My absence from running this blog; trying to keep good habits (for writing or otherwise), ticking alongside attempts to live life in as happy and meaningful way possible have been rocky of late, all I can do is say ‘sorry’ and keep on going. True- I have been busy, but almost a 20 day long silence is not really justifiable as an excuse; when you love something, you defy excuses.

But I shall fill in the gaps.
My pink rose is no longer dead. I read Slaughterhouse- 5 in one night. My family threw me a birthday meal at our favourite Chinese restaurant, then the next day I went to the Transatlantic slavery memorial performances in Trafalgar Square with my cousin, Oscar; we went to the National Gallery and saw Van Gogh’s sunflowers, we sang Whitney Houston with a homeless artist from Sri Lanka who told us to look for Mother Mary. I drank Westons in a field with my best friend, then went to a poetry reading with another of my best friends and blew bubbles over our pints. I walked with Nelson and Pogo.

These details have no bearing whatsoever on anyone else’s life, so I question the feeling of needing to write them down, or anything, for that matter which isn’t purposeful and powerful and intelligent. I guess it boils down to a second voice; words create a world parallel yet intricately webbed in the physical senses, which in themselves warble and wane depending on one’s temperament- language causes a trembling which is and is not real, which uncoils translated through eyelashes as chrysalis births wings which flutter, to die within days.

This post basically just confirms I am not giving up on this quiet endeavour, hopefully it shall amount to something- but I guess one consolation is that at least it keeps one person out of too much trouble.

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These flowers have nothing to do with my writing, but fuck it life is random so here’s a little beauty to brighten things up :)))))

Today’s poem is by the legendary Audre Lorde, a beautiful soul who wouldn’t want me to stop doing this just because it seems the rest of the world seems more engrossed with big plastic tits and guns and sports cars.

Stations 

Some women love
to wait
for life    for a ring
in the June light    for a touch
of the sun to heal them    for another
woman’s voice    to make them whole
to untie their hands
put words in their mouths
form to their passages    sound
to their screams    for some other sleeper
to remember    their future    their past.

Some women wait for their right
train    in the wrong station
in the alleys of morning
for the noon to holler
the night come down.

Some women wait for love
to rise up
the child of their promise
to gather from earth
what they do not plant
to claim pain for labor
to become
the tip of an arrow    to aim
at the heart of now
but it never stays.

Some women wait for visions
That do not return
Where they were not welcome
Naked
For invitations to places
They always wanted
To visit
To be repeated.

Some women wait for themselves
Around the next corner
And call the empty spot peace
But the opposite of living
Is only not living
And the stars do not care.

Some women wait for something
To change    and nothing
Does change
So they change
Themselves.

 

Canines and Hijabs

I keep thinking how remarkable it is that a being with no audible voice in my life, with no tangible dexterity of any human language is capable of teaching me so much of Love. I am referring to Flush, Elizabeth Barrett Browning’s pet spaniel who Virginia Woolf wrote a book about after reading the Browning’s love letters.

I watched many interesting talks today about Muslim women; whether the hijab is ‘right’ or ‘wrong’ (Personally, I no longer believe in ‘right’ or ‘wrong’- just kind and unkind, happy and unhappy- these things warp and change day to day, but they do not pretend to be as monolithic and grand as ‘right’ and ‘wrong’ try to be), about the visibility of Muslim women and what it even means to be Muslim anymore in all the lies and stereotypes we are fed every day for the ends of perpetuating profit, blood money.

Just in case anyone’s interested, here are the talks I listened to-

  • What does the Quran really say about a Muslim woman’s hijab? | Samina Ali | TEDxUniversityofNevada

  • What We Don’t Know About Europe’s Muslim Kids and Why We Should Care | Deeyah Khan | TEDxExeter

  • The Muslims You Cannot See | Sahar Habib Ghazi | TEDxStanford

 

  • The Muslim on the airplane | Amal Kassir | TEDxMileHighWomen

I think we should all try to be a bit more like Flush in these times when myth pervades over smiling at strangers in the street. When I watch my dogs on our walks, they never slow down to a pace of shyness when a new puppy lollops out on our horizon- my dogs sniff, they they circle and play; I like to imagine in human terms they would be saying “Hello fellow Soul, how do you do?

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The only reason monsters exist is because we make them. Which means we can also un-make them, and I guess that must start with ending fear. Understanding that each human, regardless and yet resulting from colour creed gender age etc ect, is a plethora of nerves and arbitrary intellects. No one is a closed book ending, we must stop conducting this society as if we are robots; we must think like dogs. I treasure what Virginia says: “Flush knew what man can never know- love pure; love simple, love entire; love that brings no train of care in its wake; that has no shame; no remorse; that is here, that is gone, as the bee on the flower is here and gone.” 

Today’s poem is by a Farsi poetess, Forough Farrokhzad- an Iranian modernist thinker whose poem ‘Born Again‘ is so beautiful and strong she gave me shivers, my arm hairs stood up on the tube. ‘Born Again‘ is rather long, so I didn’t want to include it here; instead here is ‘Gift‘… xoxoxoxoxoxooxox

Gift

I speak out of the deep of night
out of the deep of darkness
and out of the deep of night I speak.

If you come to my house, friend
bring me a lamp and a window I can look through
at the crowd in the happy alley. 

Forough Farrokhzad

A day, a holy nothingness

Today has been of no significance. No one else will remember it the same as me, perhaps no one will even read this blog apart from me- but writing should not be committed to merely seeking the result of an audience. It is a patchwork of the brain and heart- it is life’s shadow; I aim to live manifold breaths in the explosion of growing sentences, the tracks of letters scribbled on paper and screen.

Today I sang; “Why do you have to go and make things so complicated?.. give me love like never before… because I’m empty inside, I don’t wanna live but I’m too scared to die… all my hot girls with me, we dance around and bounce them titties!!!” I ate tuna salad and drank Ovaltine.

Once work was done earning money (I shall be discreet, and mention only that I work from home) I read more Virginia, ‘Flush’ in particular- the life of Elizabeth Barrett Browning’s red pedigree cocker spaniel. I was with him learning how to navigate intimacy when you’re the one left stuttering as third wheel when your beloved drinks romance instead of air. He gave up the fields and sunlight for her, but Barrett still fell for Browning’s lemon yellow hand gloves. This dog’s lesson of life resonated still, still with me, a dumb human. “Hatred is not hatred; hatred is also love.” Anger means you care, and the fact I un-followed my ex’s instagram account (FINALLY) must mean that some archaic form of love is waning. I danced in the fields wearing pyjamas walking with Nelson and Pogo, rapping terribly and not caring. Love does not die, for it is an energy formed of stardust and energy does not cease. It just returns; creates a sort of equilibrium. He took it all and now it seems to be coming home, like how birds migrate across oceans. I no longer have to take anti-depressants. I hope hope can tattoo itself on my child core.

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Today’s poem is not my own, but one by 19th C. Turkish poet Leyla Hanim ( I found this poem in an old anthology of women poets I brought with my grandma for £2) – she ended her marriage before a week’s end and outraged the moralists of her day; my kind of woman xoxoxoxo

Let’s get going,
Start the festivities, 
Never mind what they say.

Drink wine 
With your loved one, 
Never mind what they say.

What do I care
If people approve or disapprove?
God bless my friends, 
Never mind what they say.

Leyla, indulge in pleasure
With your lovely friend:
Enjoy yourself in this world,
Never mind what they say. 

‘A Life!’ ‘A Lover!’ not ‘A Life!’ ‘A Husband!’

I haven’t written for a while here, mainly because I’ve been busy with grandma again; differentiating Acers from Oaks, peering closely at Hydrangeas the colour of your tonsils and patting St. Bernards called Marley on Headley Heath. Of all grandma has treated me to recently, the apex of our country forays has culminated in my dream for a while now- visiting the homes of my homegirl inspirations. Charleston and Monk’s House, the homes of Vanessa and Virginia Stephen.

Walking the rooms Vanessa painted by hand, seeing the round wood dining table, like that of King Arthur and imagining what wine they had; the fuchsias scrambling up Charleston’s stone face for sunlight above glitterings on the green lily pond and all the sunlight drenching time’s past canvases in her studio made my heart beat in a welcomed irregular rhythm. It felt familiar yet screened, like spying through a kaleidoscope of history warped and retold through the footsteps and talk of others. I think my favourite part of Charleston were the pink guest rooms Vanessa and her daughter Angelica painted. Pale candyfloss walls and miniature seats, paintings of wild women on the wardrobe formed of harsh, sporadic black outlines for contour, with a pale peach wash for flesh. I could imagine my sister, Daisy and me sleeping there- peering at ourselves in the large looking glass wearing summer dresses and flowers in our hair. So romanticised and impossible I KNOW, but still tangible there- in her house of art, ideas and beautiful defiance.

Monk’s House was particularly resonant with me, I saw hopes in reality.  A humble cottage with a garden, a bedroom opening out into dawn- a writing lodge of wood planks where ideas flourished from Virginia’s mind, butterflies born of ink; their wings assonance and metaphor, a lilting flight. Her home was not so washed in pattern and paint as her older sister’s, but still there was intent- her mind was the cement which composed brick into animation. The living room was mint green, flowers in jam jars occupied alcoves and a special design Vanessa dreamt up for her sister adorned the chairs there. My favourite part was her bedroom though, modest but perfectly formed- like a snail shell home. Books whispered plot, unwinding breath on their shelves; a tiled sink sealed the deal of magnificence for me. The walls were pale blue, I know she loved Leonard, but her pain meant she needed space; I understand that pale blue. The only difference I’d make though, would be to swap the single bed for a double. I’m no good by myself- I’d want to feel the security that if there was anyone else who wanted to be with me that there’d be enough duvet to share. We could wake up to watch dawn over apple trees together, read my poetry books and drink tea on the same pillows then go sit in the garden. Either lover or friends, it is besides the point- this is not my story or house, both are Virginia’s.

I have no poem to post today, but I didn’t want that to stop me from trying to write. Instead I’ll share a quote from Virginia that I love, from her longest love letter ‘Orlando’ dedicated to her lover and close friend, Vita. I know to understand her life fully, to encapsulate it is impossible- but what I write is done with love. Love and hope and admiration, and I can only will that that is enough. oxoxoxoxox

” Was it then to be admitted that Orlando was one of those monsters of iniquity who does not love? She was kind to dogs, faithful to friends, generosity itself to a dozen starving poets, had a passion for poetry. But love- as the male novelists define it- and who, after all, speak with greater authority?- has nothing whatever to do with kindness, fidelity, generosity or poetry. Love is slipping off one’s petticoat and- but we all know what love it…”