Tonight is my last night at home since the summer holidays began before going back to uni in Canterbury for my final year. It is mixed emotions, a subtle blend and balance of excitement filtered through with slight wishes for home routines to stay.

It is always hard making a change, be them little or large- but no change will ever seem so frightening as how my mind was fretting the night before the first ever day of university. The transition down to Kent wasn’t helped by a 2 hour traffic jam; made slightly more entertaining by a troupe of drunken football fans wandering between the cars, slurring around half formed conversation starters. I guess nothing is ever perfect, you’ve just got to just roll with it- accept the swaps: no longer shall your dreams of arriving early and without blustering be true; but still, at least try to laugh on the M11. 

Right now, the thought of not cuddling Pogo and Nelson each day, of not goofing around with my sister or reading books snuggled in my room late at night, are sobering losses to contend. But, with every down there is an up: I shall see my friends again tommorow, and Canterbury- a city I have come to really love living in. The term will begin and that means time to write poems and read more books- life never stops giving, it just doesn’t keep giving the same things.

Here is baby Pogo (AKA Satan) asleep on my butt after cuddles ❤️

But that makes me think more- does life GIVE, or do we make actions to GET; for better or worse? I guess the only way to find out is to make changes.

Today’s poem isn’t really a poem, but a song. For my 21st birthday, Dad brought me a collection of CD’s by one of the world’s most tender and beautiful folk singers- Sandy Denny. “Who Knows Where the Time Goes” is a bittersweet ballad of love and loss and how it feels like an evening sky, full of colours like stained glass windows or jewels. I am sorry to leave home, but it is a comfort to know who and where I’m leaving won’t forget me, no matter how many changes I make. 

Who Knows Where the Time Goes 

Across the evening sky, all the birds are leaving.

But how can they know it’s time for them to go?

Before the winter fire, I will still be dreaming. I have no thought of time

For who knows where the time goes? Who knows where the time goes?

Sad, deserted shore, your fickle friends are leaving

Ah, but then you know it’s time for them to go

But I will still be here, I have no thought of leaving. I do not count the time

For who knows where the time goes?Who knows where the time goes?

And I am not alone while my love is near me. I know it will be so until it’s time to go

So come the storms of winter and then the birds in spring again 

I have no fear of time



3 Types of loss

Loss is a sprawling hurt. I thought about three types of loss for just this moment – the good kind, the unexpected kind, and the bittersweet kind.

The Good Kind

Today I finally felt anger instead of limp sadness thinking of my ex-first-boyrfriend. I won’t go into details, but I finally said enough: you can leave now. All the emotional twistings of intent and hope into confusion and shittiness. How I felt guilty for not being good enough, too much to handle and plain wrong. NO MORE I AM WORTHY OF LOVE MOST OF ALL FROM MYSELF I WILL NO LONGER CRY ABOUT A PERSON WHO ONLY LIKED ME WHEN I WAS WHAT HE WANTED. This is a good kind of loss, like spring cleaning. I hope my heart stays this buyount floating on its own Island.

The Unexpected Kind

I thought I lost my small dog Pogo today. She ran into some thorny undergrowth and wouldn’t come when I called her name. I screamed and shouted and climbed through mud and cow poos to try to find her. I couldn’t believe it was happening- she could be eaten by a fox, out on the railway or scampering in a new field I couldn’t reach. Luckily I found her, unluckily I had to chase her again at top speed to finally grab her. This loss was brief but powerful, it made me love and loathe her at the same time. Lesson: Keep small naughty dogs on their leashes.

The Bittersweet Kind

Soon I have to go back to university- whilst this prospect of seeing all my friends again and beggining my course is very exciting, I shall miss what I’m leaving here for a while. My blue book case, the thick walls of my bedroom, my family and pets, the walks near my house and a plentifully stocked fridge. These losses are reoccuring, but I know when I leave home shan’t vanish. It will be a speck that is a big size in my brain to be reached by train and rail.

On this note, today’s poem is the one that reminds me of my sister when I first had to leave for uni- my sister said loss is

 

just not having things. Even when we’re apart, I never lose my sister xoxoxoxo

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Leaving and Leaving You

 

When I leave you postcode and your commuting station,
When I left undone all the things we planned to do
You may feel you have been left by association
But there is leaving and leaving you.

When I leave your town and the club that you belong to,
When I leave without much warning or much regret,
Remember, there’s doing wrong and there’s doing wrong to
You, which I’ll never do and I haven’t yet,

And when I have gone, remember that in weighing
Everything up, from love to a cheaper rent,
You were all the reasons I thought of staying,
And none of the reasons why I went

And although I leave your sight and I leave your setting,
And our separation is soon to be a fact,
Though you stand beside what I’m leaving and forgetting,
I’m not leaving you, not if motive makes the act.

Sophie Hannah

Volaility of feathers

I am a volatility of feathers- one day sweet as apricots freshly brimming up with ruddiness on the twig and branch; Smiling is for granted, even with no make up and a lil bloat on; without having spoken properly to another person, be they friend, family or bachelor- on these day’s life is magnificent and mine. The sadness of this volatility is it’s inert nature: things cannot remain so.

Other times, simple acts of willed neglicence or bluff, intended cruelties- which most people flounce off with an expletive and distraction- cause me to imagine approximatley 100 reasons of said blow’s cause; the nature of the cause; how this cause is intertwined with and affects other causes etc etc. AKA- I cry and get mad at myself for uncomprehended reasons.

I feel like this blog has no poetry to it; I want to write about important, universal issues and not just focus on bitty, repetitive autobiography the whole fucking time. But it is late, I am hungry and simply want to savour this day where I have willed survival and not Sorrow’s feathers.

I watched the T.E.D Talk, “The gentle power of highly sensitive people” by Elena Herdieckerhoff and it made me feel so elated to know my propensity to cheshire cat smile at the sight of my dogs excited for walks, in tandem with unfathomable hours of thinking and crying and blaming ghots some more, is not a weakness. I felt like Billy Pilgrim’s long lost sister- “And so it is.” The fragility of things and my incessant hankerings for answers that justify tenderness are no joke. Hale-fucking-luja!!!!

Rambling and waffling are beyond the realms of energy right now, so I am just going to end on a little quote (So much for exclusive poetry- haha) by another highly woke and wonderful woman, Minna Salami-

“Only a person who sees and values the humanity in everyone can be a revolutionary, because only a person who sees and values the humanity in everyone can do so about themselves.”

Women fly when men aren’t looking

I still feel a bit tired and for no fathomable reason unnervingly wierded out since coming back from my birthday weekend: this makes me feel guilty, seeing as I have nothing to complain about yet still want to stab my self with a million forks (wierd image, I know- but it’s what hit my mind first)

I saw some artworks at the Tate Modern; Carrie Mae Weem’s red sadness and protest of the enslavement of black African people into black slaves of America- ‘I saw and I wept…”; Red photographs cased by poetries etched onto glass frames. After the Tate Modern, I met up with Daisy and we went to Oxford Street to look at pink feathered jackets and blue sequined denim jeans that looked like they belonged to a mermaid with legs. We met up with Flo and walked down to Foyles, scanning shelves of books, but of course focusing on the beloved aisles of poetry- I was so flamboyant. I brought books brand new.

In the evening Zab came- we got ready in make-up and fancy clothes; I feel in all my pettiness, this is where some seed of current confusion of stabbing forks was sown. In the weeks leading up to this celebration, I had been so excited to make myself look and FEEL hot/sexy/ powerful bla bla bla in this little red dress. The reality is I felt bloated and ugly and pure second rate compared to my HEAVEN SENT GORGEOUS friends, and got changed immediatley into a less than glamourous outfitt (think Paris Hilton’s ugly sister who was locked up in the highest hotel room, forced to live only on Twinkies). I am not saying this in order to try and obtain any sympathies, on the contrary I am saying it because it is the truth of incomphrensible emotion. It is white first world problems, and it makes me feel even sillier for knowing what I should finally (at nearly 21) know is bullshit, my brain still pushes onto the child within me and makes the child inside cry and want to hide.

This small, miniscule discomfort of not wearing the dress I’d imagined us partying in should (and truly, thank god, DOES NOT) overshadow all the fun we had travelling round London; talking of poetry in Foyles and the feminist library, being intellectual and going to see the beautiful Queer exhibition at the Tate gallery; laughing in parks so hard I could pee and dancing to trap music on the stairs of St. Pauls, then collapsing into our hotel room with plush double beds and a boquet of flowers (we’d eaten all the cupcakes by this point).

I hate this ungratitude of the disobedient side of my brain focusing more on how my stomach and hips looked in a dress rather than on the smile of our faces in the strobe flash of photos we took. I may not be, nor ever shall attain supermodel status or looks- but that in no way inhibits capacities for love, for loving my friends and the time we had- all the times more awaiting.

I realise now how easy it is to focus on one tiny negative thought instead of cherishing the memories of how lucky I am on this planet- a father who organised it all, the train drivers who got me there, and my friends who took the time out their jobs to come see me.

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SHOUT OUT TO MY FRIENDS FOR PUTTING UP WITH MY EXTRA BULLSHIT AND SELF-LOATHING ALL THE TIME!!!!! XOXOX

Today’s post is already verging on being lenghty, but thats okay because it’s for a special lesson and occassion. Without further adiue, here is today’s post- it is from a book I bought in Foyles by Jeanette Winterson, one of my favourite authors. The small book is simply called ‘Love’ (the quote I use is orginally from “Why be Happy when you could be Normal?“). xooxooxoxoxx

“Love is vivid. I never wanted the pale version. Love is full strength. I never wanted the diluted version. I never shied away from love’s  hugeness but I had no idea that love could be as reliable as the sun. The daily rising of love.” 

 

To walk no longer invisible

Today I fulfilled a long hoped for pilgrimage with my family and drove up north through winding streets of small pubs and purple heather, finally reaching the Brontë parsonage at Haworth. I was supporting my fellow female writers, who wrote and wrote with hopes and hopes, not of celebrity as we consider it- but merely a future, a life where they could provide for their loved ones with a pen and sentences breathing.

The amazement of how small Charlotte’s feet were, the inked notebooks of poetry by Emily or Branwell’s smoked out figure amongst his sisters’ portrait, which he painted himself; Anne’s Scarborough pebble collection. These humdrum relics of their lives were so interesting and humbling to see, what with what knowledge we have realised now, that Branwell is more than a drunk and his sisters more than mere governesses; secret writers. They are no longer invisible, they are legendary.

I kept thinking of the contextual cruelty in which those animated and powerful women lived- a world of strict boundaries of who could and could not have money, when women were angels or whores- neither of whom deemed wise enough to yield a pen so mightily as a man. I am born in a world where, yes- many structures are still so fucked up and writhing with hatred and willed ignorance that it’s hard to fathom any progress sometimes; yet, here have I set gauntlet. Writing alone. My own pen. My own name.

I do not want to let go for granted what these intelligent, wholehearted women strove so hard to obtain. I am a savage, as Emily wrote- I am still half wild and free to play on the moors of my mind as I will. Thank God for books.

Today’s poem is by Emily, ‘No Coward Soul is Mine’ (A personal favourite along with ‘Remembrance‘). I presume the power she refers to here is the Christian “God”, but I like to interpret it as our own god; happiness seeded inside ourselves which twines and kindles with others who will it so, our determination to “choose not to suffer uselessly” (as Adrienne Rich wrote it). No coward souls were theirs, and neither is mine.

No Coward Soul is Mine

No coward soul is mine
No trembler in the world’s storm-troubled sphere
I see Heaven’s glories shine
And Faith shines equal arming me from Fear
O God within my breast
Almighty ever-present Deity
Life, that in me hast rest,
As I Undying Life, have power in Thee
Vain are the thousand creeds
That move men’s hearts, unutterably vain,
Worthless as withered weeds
Or idlest froth amid the boundless main
To waken doubt in one
Holding so fast by thy infinity,
So surely anchored on
The steadfast rock of Immortality.
With wide-embracing love
Thy spirit animates eternal years
Pervades and broods above,
Changes, sustains, dissolves, creates and rears
Though earth and moon were gone
And suns and universes ceased to be
And Thou wert left alone
Every Existence would exist in thee
There is not room for Death
Nor atom that his might could render void
Since thou art Being and Breath
And what thou art may never be destroyed.

A day, a holy nothingness

Today has been of no significance. No one else will remember it the same as me, perhaps no one will even read this blog apart from me- but writing should not be committed to merely seeking the result of an audience. It is a patchwork of the brain and heart- it is life’s shadow; I aim to live manifold breaths in the explosion of growing sentences, the tracks of letters scribbled on paper and screen.

Today I sang; “Why do you have to go and make things so complicated?.. give me love like never before… because I’m empty inside, I don’t wanna live but I’m too scared to die… all my hot girls with me, we dance around and bounce them titties!!!” I ate tuna salad and drank Ovaltine.

Once work was done earning money (I shall be discreet, and mention only that I work from home) I read more Virginia, ‘Flush’ in particular- the life of Elizabeth Barrett Browning’s red pedigree cocker spaniel. I was with him learning how to navigate intimacy when you’re the one left stuttering as third wheel when your beloved drinks romance instead of air. He gave up the fields and sunlight for her, but Barrett still fell for Browning’s lemon yellow hand gloves. This dog’s lesson of life resonated still, still with me, a dumb human. “Hatred is not hatred; hatred is also love.” Anger means you care, and the fact I un-followed my ex’s instagram account (FINALLY) must mean that some archaic form of love is waning. I danced in the fields wearing pyjamas walking with Nelson and Pogo, rapping terribly and not caring. Love does not die, for it is an energy formed of stardust and energy does not cease. It just returns; creates a sort of equilibrium. He took it all and now it seems to be coming home, like how birds migrate across oceans. I no longer have to take anti-depressants. I hope hope can tattoo itself on my child core.

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Today’s poem is not my own, but one by 19th C. Turkish poet Leyla Hanim ( I found this poem in an old anthology of women poets I brought with my grandma for £2) – she ended her marriage before a week’s end and outraged the moralists of her day; my kind of woman xoxoxoxo

Let’s get going,
Start the festivities, 
Never mind what they say.

Drink wine 
With your loved one, 
Never mind what they say.

What do I care
If people approve or disapprove?
God bless my friends, 
Never mind what they say.

Leyla, indulge in pleasure
With your lovely friend:
Enjoy yourself in this world,
Never mind what they say. 

‘A Life!’ ‘A Lover!’ not ‘A Life!’ ‘A Husband!’

I haven’t written for a while here, mainly because I’ve been busy with grandma again; differentiating Acers from Oaks, peering closely at Hydrangeas the colour of your tonsils and patting St. Bernards called Marley on Headley Heath. Of all grandma has treated me to recently, the apex of our country forays has culminated in my dream for a while now- visiting the homes of my homegirl inspirations. Charleston and Monk’s House, the homes of Vanessa and Virginia Stephen.

Walking the rooms Vanessa painted by hand, seeing the round wood dining table, like that of King Arthur and imagining what wine they had; the fuchsias scrambling up Charleston’s stone face for sunlight above glitterings on the green lily pond and all the sunlight drenching time’s past canvases in her studio made my heart beat in a welcomed irregular rhythm. It felt familiar yet screened, like spying through a kaleidoscope of history warped and retold through the footsteps and talk of others. I think my favourite part of Charleston were the pink guest rooms Vanessa and her daughter Angelica painted. Pale candyfloss walls and miniature seats, paintings of wild women on the wardrobe formed of harsh, sporadic black outlines for contour, with a pale peach wash for flesh. I could imagine my sister, Daisy and me sleeping there- peering at ourselves in the large looking glass wearing summer dresses and flowers in our hair. So romanticised and impossible I KNOW, but still tangible there- in her house of art, ideas and beautiful defiance.

Monk’s House was particularly resonant with me, I saw hopes in reality.  A humble cottage with a garden, a bedroom opening out into dawn- a writing lodge of wood planks where ideas flourished from Virginia’s mind, butterflies born of ink; their wings assonance and metaphor, a lilting flight. Her home was not so washed in pattern and paint as her older sister’s, but still there was intent- her mind was the cement which composed brick into animation. The living room was mint green, flowers in jam jars occupied alcoves and a special design Vanessa dreamt up for her sister adorned the chairs there. My favourite part was her bedroom though, modest but perfectly formed- like a snail shell home. Books whispered plot, unwinding breath on their shelves; a tiled sink sealed the deal of magnificence for me. The walls were pale blue, I know she loved Leonard, but her pain meant she needed space; I understand that pale blue. The only difference I’d make though, would be to swap the single bed for a double. I’m no good by myself- I’d want to feel the security that if there was anyone else who wanted to be with me that there’d be enough duvet to share. We could wake up to watch dawn over apple trees together, read my poetry books and drink tea on the same pillows then go sit in the garden. Either lover or friends, it is besides the point- this is not my story or house, both are Virginia’s.

I have no poem to post today, but I didn’t want that to stop me from trying to write. Instead I’ll share a quote from Virginia that I love, from her longest love letter ‘Orlando’ dedicated to her lover and close friend, Vita. I know to understand her life fully, to encapsulate it is impossible- but what I write is done with love. Love and hope and admiration, and I can only will that that is enough. oxoxoxoxox

” Was it then to be admitted that Orlando was one of those monsters of iniquity who does not love? She was kind to dogs, faithful to friends, generosity itself to a dozen starving poets, had a passion for poetry. But love- as the male novelists define it- and who, after all, speak with greater authority?- has nothing whatever to do with kindness, fidelity, generosity or poetry. Love is slipping off one’s petticoat and- but we all know what love it…”